I use the longer frame-rate for cirrus clouds, but even that is often not fast enough. The two second interval is great for fast-moving cumulus clouds. I like to shoot clouds at either one frame every two seconds or one frame every 5 seconds. Set the interval according to your subjectĬlouds look great in time-lapse. Generally, hand-holding a camera does not lead to great results unless you’re doing some sort of hyper-lapse technique. It’s a bit trickier to get the right framing, but it can work. If you don’t have a tripod, you can set the camera on the ground or on a camera bean bag. This small amount of weight goes a long way in stabilizing the shots. To secure the camera, you can give it extra stability if you weigh it down by hanging a backpack under the main head. Flimsy tripods tend to shake slightly, even with a small amount of wind, causing a jitter in the final video. The fact that you need a solid, stable tripod might seem obvious, but it’s often overlooked. If your’e thinking about this, take a quick look at this amazing time-lapse shot completely on a GoPro.
For only a few hundred bucks, it takes some amazing time-lapses. GoPro camerasīelieve it or not, you can actually take a decent time-lapse with a simple GoPro.
HOW TO DO TIMELAPSE USING QUICK FOR GOPRO MANUAL
But you’ll need to become familiar with manipulating the camera’s manual functions. There are several point-and-shoot cameras on the market today that have intervalometers built in which count intervals for you and simplify the process. We currently use a Canon 5D Mark III hooked up with a matching Canon Remote (do a few searches to find the right remote trigger for your camera). Our favorite method of shooting time-lapses is with a digital SLR hooked up to a remote trigger.
HOW TO DO TIMELAPSE USING QUICK FOR GOPRO SERIES
By taking a series of photos, you not only get extremely high resolution images, but you’re storing the media as you go. This can be problematic with longer time-lapses like growing plants, so, for long sequences, we use digital still cameras. If you don’t have a power source for the camera and lose power even briefly, you can lose the entire sequence. The only problems came when the length of the time-lapses exceeded the length of battery life. This method worked amazingly well for short time-lapses. With this camera you could change the frame rate in the menu to take a single frame anywhere from once every 16 frames to once every 10 minutes. This HD digital video camera helped revolutionize the way video media was captured. One of the first cameras we used back in the day was the Panasonic HVX200. When you’re shooting a time-lapse you are doing what’s called under-cranking (the term comes from when film cameras were hand-cranked). Many cameras today have the ability to change the rate of recording from within their menu.
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